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    • Home
    • Contact Us
    • About Us
    • Galleries
    • The Commissioning Process
    • Testimonials
    • Forthcoming Exhibitions
    • The Framing Process
    • Working with Artists
    • Types of Frame
    • Lockdown Art 2020
  • Home
  • Contact Us
  • About Us
  • Galleries
  • The Commissioning Process
  • Testimonials
  • Forthcoming Exhibitions
  • The Framing Process
  • Working with Artists
  • Types of Frame
  • Lockdown Art 2020

Hung Drawn & Quartered

Hung Drawn & QuarteredHung Drawn & QuarteredHung Drawn & Quartered

OLD JET Arts Centre Bentwaters Park Rendlesham Suffolk IP12 2TW

OLD JET Arts Centre Bentwaters Park Rendlesham Suffolk IP12 2TWOLD JET Arts Centre Bentwaters Park Rendlesham Suffolk IP12 2TWOLD JET Arts Centre Bentwaters Park Rendlesham Suffolk IP12 2TWOLD JET Arts Centre Bentwaters Park Rendlesham Suffolk IP12 2TWOLD JET Arts Centre Bentwaters Park Rendlesham Suffolk IP12 2TW

Exploration in oil - Loch Fyne 2023

The Inspiration

The Inspiration

The Inspiration

Ciara and I were lucky enough to be invited back to our friends lodge on the banks of Loch Fyne in January.


On our previous visit to Nikki and Mike's beautiful home, in September 2020, we had been blessed with days of clear blue skies and warm winds. We rowed out to a beach, swam with seals and completely fell in love with this most glorious of places.


This year, the skies were grey, it rained almost non-stop and, being quite far north, the sun (?) didn't rise until 9am and fell back to earth around 3 in the afternoon. We still got out for walks along the shoreline, squelching all the while, and in truth, such is the beauty of this part of Scotland that it still took our breath away. 

Preparation

The Inspiration

The Inspiration

I always have odds and ends of MDF lying around my studio in Wingfield so anticipating long hours indoors, I decided to take a selection of small boards (15cm square) to Scotland. The size was dictated by two criteria; a small car and the desire to waste as little oil paint as possible if my efforts proved futile.


I then scavenged around our leaky conservatory and Oscar's bedroom for any tubes of oil paint and brushes, pallettes etc.

The Doing

The Results

The Results

Working from photographs, I decided early on to work within my limitations, the main one being a complete lack of experience in oil painting. My abstract work lent a good colour sense so it was really a case of letting the paint find its way.


Day 1  was prep day - I mixed up some paint with some Liquin which I found and painted each board with a grounding colour based on those around the shoreline. The lodge was filled with that irresistible (to me at least) smell, reminiscent of the artists studio I had recently visited and I was beginning to feel that my journey had begun.


Day 2 was a reality check - half a dozen blank boards demanding to be filled. 

The Results

The Results

The Results

I discovered that limiting myself to small boards provided an ideal place to start on my oil painting journey. The results are pleasing and serve as reminders of some wonderful times. I intend to do more when we return to Loch Fyne in January 2024 if only to enjoy the intoxicating scent of turps.

Working with colours

One of our recent commissions

One of our recent commissions

One of our recent commissions

Every so often, I get asked to undertake a different style of framing. That may involve working with new materials, applying different techniques and, as happened recently, working with an exciting range of colour schemes.


Here you can see the various stages of the work and the finished results - definitely one of my most enjoyable commissions to date.

The initial brief

One of our recent commissions

One of our recent commissions

The brief was to frame 16, 12cm square fragments of paintings, arranged as shown above, with contrasting mounts and frames.

Measuring

One of our recent commissions

Measuring

Each fragment needed to have the same border all round. This required painstaking marking out of each mountboard prior to cutting. .

Cutting

Painting the frames

Measuring

Cutting multiple windows requires particular attention to over- and undercuts (those lines that one often sees in the corner of windows where the blade has overrun.)

Painting the frames

Painting the frames

Painting the frames

The frames, constructed by us out of 35mm flat beech, were sanded and painted using 2 coats of Little Green sampler colours

Assembly & Hanging

Painting the frames

Painting the frames

Finally, it all comes together.

Projects in 2022

Limited edition etching - Silver Birches -  by Peter Chadwick of |Sudbourne Park Printmakers

Etching, float mounted in a waxed natural ash frame with deep ash fillets

Corner detail with signature

Corner detail showing deep (19mm) ash fillets

Oil on board

Oil on board in a waxed dark oak tray frame

Finished pieces from the HAF Summer Framing and Art Workshop

Finished frames and art, created by participants aged 6-10 at the HAF Summer Workshop

Projects in 2023

Monochrome Gallery

Cranes against a Winter sky - deep Minuet window mount with 21mm flat waxed oak frame

Cranes against a Winter sky 

Bill Wyman & Mick Jagger - 1964 - B&W photo - Glacier White window mount with a 20mm flat oak frame

Bill Wyman & Mick Jagger 

Luton Town FC in action - year unknown - in Minuet window mount with 20mm flat oak frame painted bla

Luton Town FC

Mick Jagger, Brian Jones and Bill Wyman - 1964 - B&W photo with Glacier White window mount in a 20mm

Mick Jagger, Brian Jones and Bill Wyman - 1964 

Brian Jones & Bill Wyman - 1964 - B&W photo with Glacier White window mount in a flat 20mm oak frame

Brian Jones & Bill Wyman - 1964

Mick Jagger & Brian Jones - 1964 - B&W photo with Glacier White window mount and 20mm flat oak frame

Mick Jagger & Brian Jones - 1964 

Free diver - deep Minuet window mount in a 22mm flat waxed Ash frame

Free diver

Restoration Projects 2021-22

Reconstructed frame

    Lettering Arts Centre - Snape Maltings

    To Life - Corner Detail

      Emerging Artists

      Oscar Butcher - Acrylic and ink on board

        Oscar Butcher

        Oscar is the reason we're here. I started making large (2m x 1m) canvases for him during his A level studies and became so enthused that I began framing - the rest is history.


        Oscar's work reflects his  desire to experiment with styles, materials and scale, drawing inspiration from a wide range of sources.

        Ivor Butcher

        My story is probably true of countless people around the globe, forced by the COVID 19 lock down to spend a lot of time reflecting on life, the past, the future and one's place in it. For around 40 years, I've made things, flirting around the edges of the art and design world but never having the confidence to believe I could be part of it. Over the last 4 months, however, something has changed. With no formal art school training, I'm not sure I'm equipped with the vocabulary to describe why I'm creating what I do. My art is of the moment, it's completely unplanned, each piece unique and made by hand. I don't judge them, that's for others to do. If observers respond to them in any way, be it the form, colour or their physical structure, then my time has been well spent. My style is evolving all the time - inspired by things I see around me and by the art of others. 

        If you're interested in seeing more or would like to share your own creative experience, feel free to drop me a line. You can also find my works at:  https://www.saatchiart.com/ivorjb          and https://www.instagram.com/ivor_butcher_abstracts/?hl=en

        Our Collection

        Don McCullin - Guvnors - Giclee print, in an ebony stained ash frame, full bleed

          Memories

          Primary school artwork from over 40 years ago

            Colin Moss Gallery

            Matching sample mouldings to a Colin Moss oil on board #1

              Tray Frame Building

              Recent Commissions

              Map of Argyll in its new home


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