We only use conservation quality materials - i.e. those which will not damage your artwork. Wherever budgets permit, this will include specialist glass to protect against fading and minimize reflection.
We have invested in some of the best equipment to ensure that frames, mounts and glass are cut accurately. At the heart of the operation is our Cassesse guillotine (yes, it's French!), ably assisted by our mount cutter (American)
We use only the best paints (Little Greene, Farrow & Ball), stains (Liberon) and waxes (Antiqwax), occasionally supplementing these with oils, gouache etc.
Our ... underpinner (Italian - they really do know how to do engineering) ensures that our frames come together in harmony - if it were a politician....no I'd better not go there!